For those
who often attend of Indian Fashion weeks, you will probably be aware of the phrase "reviving
ancient Indian textiles". Meanwhile, a Baluchari bustier or a Kimkhab sari dress being showcased on the
runway may seem a slightly futuristic and non-traditional in comparison. Nowadays, we are now seeing ancient crafts being fused into the contemporary 21st century through radial and unique ideas.
Mayank
Mansingh Kaul, Sanjay Garg and Rahul Jain have recently organised talks at Devi Art
Foundation, Gurgaon about Fracture – Indian textiles, showing a wide
range of hand-made Indian textiles that have been introduced in a modern context.
The Devi Art Foundation showcased a variety of items such as a series of Indian clothes and silk thread cloths presented as a
futuristic sculpture in 3D. All of these works have been
part of a project that gathers together a plethora of hand made Indian textiles
from across India.
“Though, in
India, textiles are such a visible concept, there are no museum quality
masterpieces” said Mayank Kaul, all these textiles were ordered between 2000
and 2014. “We wanted to discuss and deliberate what contemporary means in
textiles today and what it means to break away from tradition” he completes.
Here is a variety of creations that are exhibited in the show:
Fashion designer Rimzim
Dadu, chose to use another original material such as
silicon rubber sheets shredded to thin yarn which he displayed as a given the length of a sari.
This textile piece showcases a stunning pattern that looks like the
Jamdani weave. The material is graceful and light as a feather, and the stretched yarn brings an undulating pattern.
Astha
Butail created 'Yoking of the Felicity', this installation takes inspiration from
the Rigveda, where cloth has great importance. The artist constructed the piece in a contemporary
way, by changing a simple product into a three-dimensional format, crafted from the loom
itself.
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